![]() In this prayer book, you can see the ruling in red ink. Here, the skin of a stillborn goat, prized for its smoothness, is stretched on a modern frame to illustrate the parchment making process.įind out more about the art of writing in illuminated manuscripts in this video.Īfter the surface had been prepared, the parchment was ruled, usually with leadpoint or colored ink. This cycle of scraping and stretching was repeated over several days until the desired thinness had been achieved. ![]() As the skin dried, the parchment maker adjusted the tension so that the skin remained taut. While wet on a stretcher, the skin was scraped using a knife with a curved blade. The pelts were first soaked in a lime solution to loosen the fur, which was then removed. Most medieval manuscripts were written on specially treated animal skins, called parchment or vellum (paper did not become common in Europe until around 1450). The exhibition complements Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, a major international exhibition on view from June 17 through September 7, 2003.įind out more about parchment making in this video. The Making of a Medieval Book is part of the Getty's "Making of" series, which explores the historical techniques behind various art forms. The exhibition examines the four stages involved in the making of a medieval book: parchment making, writing, illumination, and binding. ![]() The images in these handwritten texts are called illuminations because of the radiant glow created by the gold, silver, and other colors. The Making of a Medieval Book explores the materials and techniques used to create the lavishly illuminated manuscripts produced in the Middle Ages and the Renaissance. ![]()
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